Tokyo: Passive-Aggressive

Nov 11, 2019

2470 words

~10 min

🇬🇧

Summer, 2019. I have a plan to make literary notes during my travel to Japan. My mind is still wandering around the form and the language. I’m facing a symptom of language disorientation right now. I think I’m capable of writing in English to a certain degree, but I feel an inflexibility in it. I might struggle with the expression limitation or tone nuance in this non-native language. Then I start counting and decide to give it a try, as an experiment perhaps? Let’s see how far I can survive

• • • • •

I text my mother to say goodbye and my brother to inform him about all of my belongings. It really sounds like a death message rehearsal.

• • • • •

It’s not difficult to understand all the information the flight attendant announces from the cabin. The language still sounds familiar, and somehow I laugh silently a few times because it feels like someone is trying to whisper a cute version of my native language to me. I arrive at Kuala Lumpur around 9:30 PM, the airport is huge as hell, my next flight to Tokyo is scheduled for the following afternoon

• • • • •

I sit on a comfy chair between two escalators, eating a slice of bread and drinking a Goodday full cream milk I just bought from the WHSmith mini-mart. While looking around, I notice a traveler with a backpack carrying a banjo walking towards me and then sitting on a comfy chair nearby. Within a few minutes we engage in a conversation. My first impression suggests that he is from North America since the banjo is mostly played there, but he actually comes from Norway. “Where are you heading?” I ask. “Bali,” he responds, “and you?” “Tokyo.” “Is this your first time to Bali?” “No, this is my second time, I just want to stay there longer this time.” I want to ask why he wanted to stay longer, but then I change my mind and ask something else instead

• • • • •

If there is one thing that unites Asian people, it is certainly their love for noodles. I find myself at WHSmith again, looking for breakfast. In the payment queue ahead of me, there are 6 Chinese grandmas holding instant noodles in the right hand and a Republic of China passport in the left hand—keeping their documents close in an unfamiliar place. As they’re trying to pay, suddenly a few of them change their minds, with a flash move they swiftly go back to the food stacks and grab some more items

• • • • •

An hour before departure, I recharge my phone in a spot near the gate entrance. There is a couple sitting in front of me and speaking in Indonesian with my hometown dialect. I have a feeling that I have seen them somewhere before. I steal glances, trying to remember their names, as I’m pretty sure that both of them were my seniors when I was in junior high school. I can only recall a little but I’m not entirely convinced. After a while, I decide to greet them by mentioning the name of our school and instantly we start talking about the past, my plans for Japan, and their honeymoon plan

• • • • •

I sit beside the window near the front of the cabin. There is no one sitting beside me; it’s just empty. During takeoff, the stewardess in front of me closes her eyes. She looks calm, but I can sense the presence of her anxiety. Just by looking at her face, you can’t really tell if she is Japanese; she could be someone from China, Korea, or Indonesia until you see her name tag filled with an obvious Japanese name

• • • • •

I read Beyond Good and Evil by Friedrich Nietzsche. Epigram 146: “Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you”

• • • • •

From the airplane window, I see Tokyo covered by a sea of lights. It glows endlessly without gradients, like a coruscating stream of light.

• • • • •

Haneda Airport, Tokyo, 10:40 PM. The longest flight and time differences I’ve experienced so far. In a singular perspective, a part of me is advanced in the past.

• • • • •

The immigration line queue is already filled with people from all over the world. It’s almost midnight, but the crowd is still a deluge. Some officers in front of the line are directing people to any available counter and warning us not to take pictures in this area. As I wait and circle the line, I observe the passports held by everyone. ‘Republica Italiana’, ‘Schweiz’, ‘Deutschland’, ‘United States of America’, Taiwan, India, South Africa, and passports from dozens of other countries. This crowd reminds me of a scene from the 2012 movie, where pairs of chosen individuals from around the world are waiting to enter the giant ark in order to save themselves from the world apocalypse

• • • • •

As I hold a disembarkation card for foreigners that needs to be filled, I find myself pondering over a particular type of question which requires you to confess something, like the question about “possession of controlled substances, guns, bladed weapons, and gun powder” with only yes or no options. In some instances, it feels quite ridiculous as if the question presents a paradox, but I try to think about another possibility that these questions might be a form of a priori inquiry, meant to be proven or disproven later on by looking backward. For instance, let’s say I choose to answer ‘no’ to the possession of such items, but after an unfortunate random check I get caught with those items. Will I face a more severe punishment than if I had admitted it in the first place?

• • • • •

A customs officer performs her routine and stamps my passport, granting me freedom to explore Japan for the next 90 days. I grab my backpack, change my SIM card, and look for the Suica card machine (a daily commute card for JR train services) since I’m not going to use the Shinkansen to travel between cities. I take a JR service to Asakusa area. It’s so quiet on the train, there are only 3 people inside my carriage before it suddenly changes into a crowd of people right when I arrive at Akihabara for transit. From Asakusa, I continue on foot to my hotel, making a stop at Lawson to buy a salmon onigiri, a banana, and milk. I arrive at the hotel with no receptionist in front of the entrance, it’s just a small room for lift access right beside a sake bar. Fortunately, they had previously asked me about my arrival time and informed me to find an instruction paper in front of the lift if I arrived after midnight

• • • • •

“How the hell does this work? What is this button?” The toilet in Japan is a magical seat, a truly stellar human achievement. Feeling a bit shy? Just press the noise button. Run out of tissue? No problem, there is a built-in fan for your butt. Don’t worry if you can’t locate the button, it’s equipped with braille on it. So sorry, sometimes we forget to put the English translation there, but you can always guess from the picture, right?

• • • • •

Slavoj Žižek, a Slovenian philosopher, once spoke in his Hermeneutics of Toilets about how the design of toilets in Germany, France, and England represent their underlying mechanisms of existential attitudes. In Germany, the toilet’s hole is placed at the front so you can sniff and inspect for traces of illness; which shows their reflective thoroughness or ‘conservatism’ from a political perspective. In France, it’s placed at the back so shit can vanish as quickly as possible; which shows their revolutionary hastiness or ‘revolutionary radicalism’. In England it’s placed in the middle and full of water, so the shit can be seen floating in it but partially observed; which shows their utilitarian pragmatism of ‘liberalism’ in political perspective. While in Japan as far as I can see it’s located slightly at the back more or less like France. So could it be said they possess a kind of revolutionary hastiness? Can we compare the famous French declaration in 1789 which revolutionized our deepest thought about equality to this Japan’s futuristic toilet with its ability to disguise your poop’s noise, positioned water sprayer, butt dryers, and any other sophisticated features there? Isn’t it revolutionary?

• • • • •

Next to the toilet, there is a door leading to a semi-balcony and stairs to the rooftop of the building. I step outside, enjoying my onigiri and banana, while watching the view of the Sumida River. After a moment, in a nearby apartment, I notice a woman with a towel hanging around her neck and wet hair watering her plants. She looks like she just got home from work. I can’t help but watch her and abruptly, she looks back at me, smiles, and nods her head then goes back inside. I’m still there, wondering why she was watering the plants at 1 AM

• • • • •

It’s 8:14 AM, I head to the receptionist on the 9th floor to let them know my presence. The room is designed in a traditional Japanese house ambiance (ryokan); the tatami mats, the sliding shoji doors, a small table, a shoe area (genkan), and a contrasting urban view from the window. The coffee aroma permeates all over the room. I can’t help but resist this temptation. I return to my room and grab my laptop, then enjoy the coffee while writing this note and finishing some remaining tasks from the office.

• • • • •

When I was in Kuala Lumpur I had done some quick research about the places I wanted to visit in Japan. Actually, when I applied for a visa, I already made one, but it’s really something I made in a rush, a sketch. So I do another extensive research about places I really want to visit, some hidden places with fewer tourists, natural places where I could go for a little hike, some spots mentioned in Murakami’s novels, and some parts of the city where I will let myself get lost without having any destination to visit. I pinpointed all these places on Google Maps. Perhaps it would be more interesting if I do this without using Google Maps at all, which means I might interact with people more often, get lost and spend more time in my confusion more often, and accidentally come across unusual places more often. I should try that one day, a total journey without navigation or translation technology.

• • • • •

I left the hotel around 2 PM and made a stop at the nearest 7-Eleven. I grab a salmon scrambled eggs onigiri and a bottle of berry smoothie before continuing my walk to Akihabara, about 2 km from my place. I spent the first two hours looking for a secondhand Nintendo 3DS for my friend

• • • • •

As I hopped from one store to another like a frog, at one intersection I stop for a moment when I notice a red building with a big SEGA word upon it. All of a sudden a flood of involuntary memories comes to me. It brings me back to 1998, the day when my mother just got back from her work and surprised me with a purple-pink SEGA video game console. I vaguely remember how happy I was at that time, my grandma was sitting behind me and watching me play Super Mario Bros. If I fast forward to 2004 during my junior high school years, I can picture myself sitting in the corner of my school library during break time, engrossed in reading mostly Japanese comics like Dragon Ball, Samurai X, and Detective Conan. It’s fascinating how these memories have resurfaced. Apparently, they’ve always been there, waiting 21 years to be awakened

• • • • •

A few blocks behind the toy stores I get stopped by a woman wearing an anime cosplay. This isn’t the first time I’ve been approached by a cosplaying woman since I entered this area. The previous woman offered me food, and this one is offering companionship to a hookah bar. I tell her that I can’t speak Japanese, but she replies with “I can speak English” while following me slowly. I ask her what that’s about, and she explains to me about the hookah and the cost. I say that I don’t smoke then she stops following me

• • • • •

The crows are everywhere here, they make loud raspy voices while perching on electric cables, so accurately depicting some scenes I’ve seen in Japanese comics. I walk straight to the north, to Ueno Park. I’m quite familiar with the name of this park. Apart from the love stories that surrounded this park, there is another story within its perimeter—the story of the homeless staring blankly at the lake, most of them are elderly people. I sit on one of the benches in front of the lake, watching two young men on a boat. In the distance I can see half of Tokyo Skytree clearly. Two rows away there is a young couple, they look like they’re on a date. I steal glances a few times. The man looks so clumsy and sits with a very stiff manner

• • • • •

Not far from Tokyo University, I see a long queue in front of a place named Tokyo Light Blue Hongo-3. The water vapor emanating from the shop catches my attention. They write the shop’s name and the open sign in English but the menu they put in front of the door is completely in Japanese—what a strange world. From the outside, I can peek at a row of people standing and slurping noodles. In the waiting line, I remember that whenever I encounter a lengthy queue at a new hyped place, I always have this suspicious gaze, thinking that the people in the queue might be paid participants, friends, or relatives of the owner merely as cosmetics to attract customers. The booming of various boba milk shops in Jakarta, for example, seems really suspicious. Standing right behind me in the queue is a woman who is probably a university student. It looks like her consciousness is traveling somewhere. I dare myself to ask her in simple Japanese if she can speak English. “Eigo ga hanasemasu ka?” She nods. I ask her what they have inside. “It’s soba udon,” she replies and thinks for a while. “Where are you from?” “Can you guess?” “Spain or Italy?” “Why?” “Your hair.” The conversation is interrupted and we should get inside. I’m completely puzzled as I look at the menu on a machine filled with buttons labeled in Japanese. She kindly helps me translate some menus and I decide to order the wakame (seaweed) soba udon. Everyone is slurping noodles here. It’s like a slurping competition between one another.